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Producing & Recording Electric Guitar ➥ Ear training for EQ ➥ The Pro Audio Files ➥ A walkthrough of Softube Bass Amp Room. — From Softube: Bass Amp Room has got everything you need to create a unique signature sound in no time.
It's well thought out, and the high quality building blocks will help you produce a huge range of sounds. The Bass Amp Room is all about getting a sound you know you can trust, and getting it quickly. Although it was originally designed as a guitar amp, the 70's amp that has been modeled has proven to be an excellent choice for bass players. A thick and solid preamp distortion without any fizziness lets you crank it up without losing the low end. The power amp has a more traditional power amp distortion (controlled by the Master Volume knob), which at extreme settings will give you all the dirt you can handle. The High/Low switch wasn't a part of the original amp, but was added to give you a cleaner and fatter sound when necessary. There are three different cabinets in Bass Amp Room.
The 8 x 10' is an industry standard for fat and solid bass tones with lots of low end and lots of definition. The 4 x 12' may be a good choice for rock sounds with its focused and hard sound.
I'm thinking that I might be able to connect the 30-inch Cinema Display to an eGPU card housed in an external box of some kind like an Akito Node or Bizon Box of some sort that would connect to the back of the 27-inch Thunderbolt display that I'm currently running, via a Thunderbolt port. El capitan boot screen compatible video cards for mac pro 31. And, the laptop screen to view pop-up plug-in windows.
And lastly, while an open back 1 x 12' may not be the first cabinet choice that springs to mind for bass, this is something that works extremely well in the studio. Many engineers like to blend in some DI signal from the bass in the mix, and to facilitate this we have added a DI section that does precisely that, and more - we also put in three tone controls and a limiter. In short - Authentic amp and cabinet modeling - One amplifier and three versatile and good-sounding cabinets - Flexible and continuous click-and-drag mic positioning - Slider control to blend in the DI sound from within the plug-in - Tone control, Low and High cut filters plus limiter in the DI section.
SOFTUBE - ALL IN ONE - VST BUNDLE - TEAM AIR - PC Amplifier Simulators Softube Bass Amp Room VST RTAS v1.0.2 - AiR Softube Metal Amp Room VST RTAS v1.1.5 - AiR Softube Vintage Amp Room VST RTAS v1.0.8 - AiR Compressors and Equalizers Softube FET Compressor VST RTAS v1.0.3 - AiR Softube Tube-Tech CL 1B VST RTAS v1.0.3 - AiR. Softube Vintage Amp Room Native review Three classic amps in plug-in form €349. Strictly a plug-in (it has no standalone mode) and is available for various formats. The Native version can be used in VST, Audio Units and RTAS, which means that it is compatible with the many software recording packages including Cubase, Logic and Pro Tools.
Marshall-style overdriven roar in spades There is no shortage of computer-based amp simulation available these days, the general approach of most manufacturers being to provide a large number of modelled amps, cabinets and effects with endless tweaking options. Swedish company Softube has tackled it differently, emphasising ease of use with a small number of high quality sounds. Vintage Amp Room's approach is to put one of each of the classic triumvirate of Fender, Marshall and Vox in a single virtual space where you can choose any one amp and have access to its control panel, plus a number of virtual mic'ing positions. VAR is strictly a plug-in (it has no standalone mode) and is available for various formats. The Native version can be used in VST, Audio Units and RTAS, which means that it is compatible with the many software recording packages including Cubase, Logic and Pro Tools LE. There is also a version for TDM Pro Tools systems plus a version that runs on TC Electronics DSP systems - the Softube brand is actually distributed by TC in the UK.
The VAR software is available for download only and to run it you need a USB-connected iLok key to store your authorisation codes and act as a dongle. Softube offers authorisation codes for a 10-day, free, try before you buy. In Use After inserting VAR in a plug-in slot in your recording software you are faced with a cosy graphic interface showing one of the amps in a room. Dragging the mouse across the virtual backdrop takes you across the room to the next amp - alternatively, you can choose a preset from a drop-down menu that accesses a specific amp. Each amp has its control panel at the top of the graphic with mouse-adjustable knobs plus a virtual mic on a wheeled boom stand that can be grabbed with the mouse and moved. There are options to move the whole stand various distances from the speaker and to move the boom so that the microphone position varies from on-axis pointing directly at the centre of the speaker through various off-axis angled positions.
The amps are named 'White', 'Brown' and 'Green' which translates as Marshall stack, Fender combo and Vox AC30. Softube are not specific about the amps modelled but do give a sly nod to a JCM800 with a 1960A 4 x 12 cab, a 1966 Fender Twin and a mid-sixties AC30TB. Softube's stated philosophy is to 'focus on quality and accuracy' so VAR must stand or fall on whether those two attributes are present in its sounds and to our ears it stays resoundingly upright.
Producing & Recording Electric Guitar ➥ Ear training for EQ ➥ The Pro Audio Files ➥ A walkthrough of Softube Bass Amp Room. — From Softube: Bass Amp Room has got everything you need to create a unique signature sound in no time.
It\'s well thought out, and the high quality building blocks will help you produce a huge range of sounds. The Bass Amp Room is all about getting a sound you know you can trust, and getting it quickly. Although it was originally designed as a guitar amp, the 70\'s amp that has been modeled has proven to be an excellent choice for bass players. A thick and solid preamp distortion without any fizziness lets you crank it up without losing the low end. The power amp has a more traditional power amp distortion (controlled by the Master Volume knob), which at extreme settings will give you all the dirt you can handle. The High/Low switch wasn\'t a part of the original amp, but was added to give you a cleaner and fatter sound when necessary. There are three different cabinets in Bass Amp Room.
The 8 x 10\' is an industry standard for fat and solid bass tones with lots of low end and lots of definition. The 4 x 12\' may be a good choice for rock sounds with its focused and hard sound.
I\'m thinking that I might be able to connect the 30-inch Cinema Display to an eGPU card housed in an external box of some kind like an Akito Node or Bizon Box of some sort that would connect to the back of the 27-inch Thunderbolt display that I\'m currently running, via a Thunderbolt port. El capitan boot screen compatible video cards for mac pro 31. And, the laptop screen to view pop-up plug-in windows.
And lastly, while an open back 1 x 12\' may not be the first cabinet choice that springs to mind for bass, this is something that works extremely well in the studio. Many engineers like to blend in some DI signal from the bass in the mix, and to facilitate this we have added a DI section that does precisely that, and more - we also put in three tone controls and a limiter. In short - Authentic amp and cabinet modeling - One amplifier and three versatile and good-sounding cabinets - Flexible and continuous click-and-drag mic positioning - Slider control to blend in the DI sound from within the plug-in - Tone control, Low and High cut filters plus limiter in the DI section.
SOFTUBE - ALL IN ONE - VST BUNDLE - TEAM AIR - PC Amplifier Simulators Softube Bass Amp Room VST RTAS v1.0.2 - AiR Softube Metal Amp Room VST RTAS v1.1.5 - AiR Softube Vintage Amp Room VST RTAS v1.0.8 - AiR Compressors and Equalizers Softube FET Compressor VST RTAS v1.0.3 - AiR Softube Tube-Tech CL 1B VST RTAS v1.0.3 - AiR. Softube Vintage Amp Room Native review Three classic amps in plug-in form €349. Strictly a plug-in (it has no standalone mode) and is available for various formats. The Native version can be used in VST, Audio Units and RTAS, which means that it is compatible with the many software recording packages including Cubase, Logic and Pro Tools.
Marshall-style overdriven roar in spades There is no shortage of computer-based amp simulation available these days, the general approach of most manufacturers being to provide a large number of modelled amps, cabinets and effects with endless tweaking options. Swedish company Softube has tackled it differently, emphasising ease of use with a small number of high quality sounds. Vintage Amp Room\'s approach is to put one of each of the classic triumvirate of Fender, Marshall and Vox in a single virtual space where you can choose any one amp and have access to its control panel, plus a number of virtual mic\'ing positions. VAR is strictly a plug-in (it has no standalone mode) and is available for various formats. The Native version can be used in VST, Audio Units and RTAS, which means that it is compatible with the many software recording packages including Cubase, Logic and Pro Tools LE. There is also a version for TDM Pro Tools systems plus a version that runs on TC Electronics DSP systems - the Softube brand is actually distributed by TC in the UK.
The VAR software is available for download only and to run it you need a USB-connected iLok key to store your authorisation codes and act as a dongle. Softube offers authorisation codes for a 10-day, free, try before you buy. In Use After inserting VAR in a plug-in slot in your recording software you are faced with a cosy graphic interface showing one of the amps in a room. Dragging the mouse across the virtual backdrop takes you across the room to the next amp - alternatively, you can choose a preset from a drop-down menu that accesses a specific amp. Each amp has its control panel at the top of the graphic with mouse-adjustable knobs plus a virtual mic on a wheeled boom stand that can be grabbed with the mouse and moved. There are options to move the whole stand various distances from the speaker and to move the boom so that the microphone position varies from on-axis pointing directly at the centre of the speaker through various off-axis angled positions.
The amps are named \'White\', \'Brown\' and \'Green\' which translates as Marshall stack, Fender combo and Vox AC30. Softube are not specific about the amps modelled but do give a sly nod to a JCM800 with a 1960A 4 x 12 cab, a 1966 Fender Twin and a mid-sixties AC30TB. Softube\'s stated philosophy is to \'focus on quality and accuracy\' so VAR must stand or fall on whether those two attributes are present in its sounds and to our ears it stays resoundingly upright.
...'>Softube Bass Amp Room Vst Rtas V102 Air(19.12.2018)Producing & Recording Electric Guitar ➥ Ear training for EQ ➥ The Pro Audio Files ➥ A walkthrough of Softube Bass Amp Room. — From Softube: Bass Amp Room has got everything you need to create a unique signature sound in no time.
It\'s well thought out, and the high quality building blocks will help you produce a huge range of sounds. The Bass Amp Room is all about getting a sound you know you can trust, and getting it quickly. Although it was originally designed as a guitar amp, the 70\'s amp that has been modeled has proven to be an excellent choice for bass players. A thick and solid preamp distortion without any fizziness lets you crank it up without losing the low end. The power amp has a more traditional power amp distortion (controlled by the Master Volume knob), which at extreme settings will give you all the dirt you can handle. The High/Low switch wasn\'t a part of the original amp, but was added to give you a cleaner and fatter sound when necessary. There are three different cabinets in Bass Amp Room.
The 8 x 10\' is an industry standard for fat and solid bass tones with lots of low end and lots of definition. The 4 x 12\' may be a good choice for rock sounds with its focused and hard sound.
I\'m thinking that I might be able to connect the 30-inch Cinema Display to an eGPU card housed in an external box of some kind like an Akito Node or Bizon Box of some sort that would connect to the back of the 27-inch Thunderbolt display that I\'m currently running, via a Thunderbolt port. El capitan boot screen compatible video cards for mac pro 31. And, the laptop screen to view pop-up plug-in windows.
And lastly, while an open back 1 x 12\' may not be the first cabinet choice that springs to mind for bass, this is something that works extremely well in the studio. Many engineers like to blend in some DI signal from the bass in the mix, and to facilitate this we have added a DI section that does precisely that, and more - we also put in three tone controls and a limiter. In short - Authentic amp and cabinet modeling - One amplifier and three versatile and good-sounding cabinets - Flexible and continuous click-and-drag mic positioning - Slider control to blend in the DI sound from within the plug-in - Tone control, Low and High cut filters plus limiter in the DI section.
SOFTUBE - ALL IN ONE - VST BUNDLE - TEAM AIR - PC Amplifier Simulators Softube Bass Amp Room VST RTAS v1.0.2 - AiR Softube Metal Amp Room VST RTAS v1.1.5 - AiR Softube Vintage Amp Room VST RTAS v1.0.8 - AiR Compressors and Equalizers Softube FET Compressor VST RTAS v1.0.3 - AiR Softube Tube-Tech CL 1B VST RTAS v1.0.3 - AiR. Softube Vintage Amp Room Native review Three classic amps in plug-in form €349. Strictly a plug-in (it has no standalone mode) and is available for various formats. The Native version can be used in VST, Audio Units and RTAS, which means that it is compatible with the many software recording packages including Cubase, Logic and Pro Tools.
Marshall-style overdriven roar in spades There is no shortage of computer-based amp simulation available these days, the general approach of most manufacturers being to provide a large number of modelled amps, cabinets and effects with endless tweaking options. Swedish company Softube has tackled it differently, emphasising ease of use with a small number of high quality sounds. Vintage Amp Room\'s approach is to put one of each of the classic triumvirate of Fender, Marshall and Vox in a single virtual space where you can choose any one amp and have access to its control panel, plus a number of virtual mic\'ing positions. VAR is strictly a plug-in (it has no standalone mode) and is available for various formats. The Native version can be used in VST, Audio Units and RTAS, which means that it is compatible with the many software recording packages including Cubase, Logic and Pro Tools LE. There is also a version for TDM Pro Tools systems plus a version that runs on TC Electronics DSP systems - the Softube brand is actually distributed by TC in the UK.
The VAR software is available for download only and to run it you need a USB-connected iLok key to store your authorisation codes and act as a dongle. Softube offers authorisation codes for a 10-day, free, try before you buy. In Use After inserting VAR in a plug-in slot in your recording software you are faced with a cosy graphic interface showing one of the amps in a room. Dragging the mouse across the virtual backdrop takes you across the room to the next amp - alternatively, you can choose a preset from a drop-down menu that accesses a specific amp. Each amp has its control panel at the top of the graphic with mouse-adjustable knobs plus a virtual mic on a wheeled boom stand that can be grabbed with the mouse and moved. There are options to move the whole stand various distances from the speaker and to move the boom so that the microphone position varies from on-axis pointing directly at the centre of the speaker through various off-axis angled positions.
The amps are named \'White\', \'Brown\' and \'Green\' which translates as Marshall stack, Fender combo and Vox AC30. Softube are not specific about the amps modelled but do give a sly nod to a JCM800 with a 1960A 4 x 12 cab, a 1966 Fender Twin and a mid-sixties AC30TB. Softube\'s stated philosophy is to \'focus on quality and accuracy\' so VAR must stand or fall on whether those two attributes are present in its sounds and to our ears it stays resoundingly upright.
...'>Softube Bass Amp Room Vst Rtas V102 Air(19.12.2018)